I am encouraged that Theo is 86 years old. It isn’t often that the center of a story is an old man or old woman, especially one who still has his or her faculties and who is engaged in a meaningful endeavor. As someone who is not that far behind Theo, Theo says to me, “It is never too late to make a difference in the lives of others.”
When I was pastoring, one of the decisions I made early on was to treat older people with respect by not letting them off the discipleship hook. In other words, I challenged them with following Jesus, sitting on the bench and growing moral and spiritual fungi was not an option. It disgusts me when churches have “programming” for seniors that solely consists of playing games, going to buffets, and attending estate planning seminars. (If they really want to have relevant programming, why not have someone come and clip our toenails?)
Theo does not wait for life to come to him, Theo pursues life. Furthermore, it is not so much about what Theo does, it is really about who Theo is. What Theo does is a result of who Theo is.
Theo pays attention to people. He looks deeply into the portraits at the Chalice coffee shop; the eyes, always the eyes, then the fuller face, but always coming back to the eyes. Asher’s gift of capturing the eyes, and Theo’s gift of connecting with those eyes…a fruit of Allen Levi’s masterful brush. Asher sketches and paints with pencil and brush, Allen Levi paints with words.
Theo does more than pay attention to others, he acknowledges others, but he more than acknowledges others, he affirms others – he sees things in others that they do not see in themselves, and he helps them consider the possibility that they have treasures within themselves to give to others. In other words, as Theo affirms others they are given the opportunity to share their treasures with others, to be more open to others, to pass on to others what Theo is passing on to them.
Theo presents the idea of sainthood to people of all walks of life and backgrounds, to men and women who have known suffering, hurt, disappointment, and despair; but who also have dreams and visions and desires, as latent and forlorn as they might be.
Theo says, “Do you see what I see? Do you see who you really are?”
I think this is the Gospel. We’re told that Jesus came to declare the Name of the Father to us, His brothers and sisters. Our Father’s Name speaks to us of His Nature, His desire to draw us to Himself in love through our Lord Jesus (Hebrews 2:9 – 18). For some reason we fight this. I know that when I pastored that many folks would much rather I treat them as miserable wretches than as the sons and daughters of God. Even though the New Testament uses the term “saints” more than any other word to refer to followers of Jesus, people fight that image – even when we make it clear that this is about us being in Jesus Christ and not in ourselves (2 Corinthians 5:14 – 21).
Theo says, “Let me tell you what I see in your portrait. Now you look at it. Do you see what I see?”
The story goes that many sculptors rejected the block of marble that would become Michelangelo’s David, it had too many flaws. Aren’t we thankful that Michelangelo saw David within David? Aren’t we thankful that Jesus sees the image of God deep within us? Weren’t those folks who sat for a few minutes on a bench with Theo thankful for a new way of seeing themselves, of seeing who they really were?
It is of course a process, but the process must begin somewhere, and in Theo of Golden it begins for many on a bench with an old man with a foreign accent and with a portrait which the old man had paid a price to give to them.
Since the name Theo is from the Greek word for God, can we see the incarnational nature of this old Portuguese man? Can we see the treasure in the earthen vessel? Can we see Theo living in and through Theo?
Perhaps more importantly, how is God living in us and through us to touch and affirm the lives of others? For no matter how old we are, no matter where we live, we can always look into the eyes of others and ask, “Do you see what I see?”